Time transcripts of seanmillsnarrative_small [00:00:00:01] [ Interviewer ]: This is Fallon Zakeri interviewing Sean Mills on November 13, 2011. [00:00:04:02] He's here today to share with us [00:00:08:03] his literacy narrative. I wanted to thank you for sharing today... [00:00:12:04] Sean: No Problem. [ Interviewer ]: ...just to start, could you share [00:00:16:06] a story about the first time you learned to play an instrument [00:00:20:09] or read or write music? Sean: Well... [00:00:24:10] The first time I ever learned to [00:00:28:11] play piano was when I was about three or four years old [00:00:32:13] and I...my parents bought a piano [00:00:36:15] and wanted me to...I ended up learning it [00:00:40:17] in this small school where, I would be [00:00:44:21] instructed in front of a [00:00:48:22] ...with just a teacher and myself [00:00:52:23] in each room and so...we would play... [00:00:56:26] you know, jazz [00:01:00:28] and classical, and we would be playing also a few [00:01:04:29] contemporary pieces... [00:01:09:00] and ragtime, there were so many...different styles that you could cover on the piano. [00:01:13:01] which is great! You know, you can explore a lot of different [00:01:17:02] genres and... [00:01:21:04] we would have about, maybe, seven or eight pieces [00:01:25:07] that we'd be working on at one time, [00:01:29:10] so we...you know, it wouldn't be just like, you know, learn the song [00:01:33:10] and learn another song. You'd be learning a bunch of songs, which, you know, kind of [00:01:37:12] ...it really, it kind of really [00:01:41:13] you know, took your hands, it took your [00:01:45:14] muscle memory and your...you know, your [00:01:49:16] skill level to different...zones [00:01:53:18] of, you know, the instrument that you're playing, you know... [00:01:57:19] it's great. [00:02:01:20] And it...covers over...so you [00:02:05:22] you know, you'd be playing fast things, you'd be playing slow things [00:02:09:23] and so, aside from like, learning notes, which, you know, [00:02:13:25] we would be learning...sheet music and classical versions [00:02:17:26] you know, you'd be...but it would be [00:02:21:28] not just classical, but you would have different... you'd be learning different beats [00:02:25:29] during time, different time measures, different [00:02:30:00] you know, keys, you'd be [00:02:34:01] you would...have to learn [00:02:38:02] different... yeah the keys were interesting, the different playing styles [00:02:42:03] you had to... [00:02:46:04] there was a lot of...you know you [00:02:50:06] ....and so we would be playing books, you know, as a little kid I would be playing [00:02:54:08] books that would be [00:02:58:10] you know, skill building...you started small and then you worked your way up. [00:03:02:11] It was like, you know, really simple [00:03:06:12] things...just like simple finger tricks and you'd be building your way up [00:03:10:14] and then slowly, as...when I progressed... [00:03:14:15] I would get to certain levels. [00:03:18:16] And...finally after compiling all this information that I [00:03:22:19] had learned, I was able to [00:03:26:20] you know, [00:03:30:21] get a faster pace. I was able to learn pieces a lot faster, [00:03:34:22] and I was able to... process all the...music much [00:03:38:23] faster, much... [00:03:42:25] much more, you know, finesse to it and everything and...that's [00:03:47:00] always fun, because, you know, after you like, learn the foundation for a piece [00:03:51:01] you just, then like, kind of explore to different [00:03:55:02] parts of it, you know, like really make...certain parts [00:03:59:04] just like, pop, in the entire [00:04:03:06] song itself. This way, we performed [00:04:08:13] ...after we learned these skills we would perform them [00:04:12:16] so we would have a...recital every year, where each kid [00:04:16:20] would...play in front of [00:04:20:21] an audience of maybe five hundred [00:04:24:22] or a fair number of people... you know parents of [00:04:28:23] kids, but anyway, so you would...have these [00:04:32:25] ...recitals that would...you would [00:04:36:27] memorize a...piece, so [00:04:40:29] every kid would memorize a piece, even the little kids [00:04:45:01] and...you would then play in front of the parents [00:04:49:02] and some of the older kids were, you know [00:04:53:04] were playing really, really difficult pieces [00:04:57:07] you know a lot of these were duets you would play with [00:05:01:10] their instructor, and so they would be like, playing these pretty advanced [00:05:05:12] fast...paced songs, or... you know, [00:05:09:13] with a lot of...some of them [00:05:13:15] ...but anyway so... [00:05:17:16] I would learn a song every year that was... kind of a special song that like [00:05:21:19] maybe it was a harder skill level so you like, had to work your way to it, you had to take [00:05:25:20] maybe a lot of time for it. You memorized it, you played in front of [ people ], and so I would build [00:05:29:22] not only...music literature... [00:05:33:23] this is kind of moving into the performance aspect [00:05:37:24] but...I would not only...learn the music [00:05:41:26] literature...and, you know, be... able to play it to learn how to perform [00:05:45:29] it in front of an audience...pretty big [00:05:50:00] And so...this was... [00:05:54:02] yeah, this was like, so you would... [00:05:58:04] perform it...you would learn how to [00:06:02:06] walk out, in front of an audience, and perform it. All that stuff. [00:06:06:09] Actually, wait...I'm breaking off into a tangent. [ Interviewer ]: No, that's fine! [00:06:10:10] Sean: Bring me back to somewhere else. [ Interviewer ]: So, well I just wanted to ask how [00:06:14:11] Sean: Do you have another question or something... [ Interviewer ]: Yeah, how...talking about [00:06:18:12] how the...performance aspect of it [00:06:22:14] and how..you said that the older kids would play [00:06:26:16] pretty difficult pieces...How did [00:06:30:19] either just the performance aspect of playing the instrument [00:06:34:20] itself, or the influence of the outside [00:06:38:21] pressures, maybe from teachers or parents or... [00:06:42:22] other...from teachers or parents or [00:06:46:23] other peers...how did that affect [00:06:50:24] you? Like...what are your feelings on that? [00:06:54:26] Sean: Well...watching these other [00:06:58:28] kids progress...we would not only...have [00:07:03:01] time to...practice [00:07:07:05] in like, the practice time, but we would also have a performance class where we would perform it [00:07:11:07] in front of kids, so we had to learn it and be, like, competent at it. [00:07:15:10] at certain points in time. [ Interviewer ]: So, was this a performance class, like you [00:07:19:12] would go to a piano class that was specifically on performing? [00:07:23:14] Sean: Well, yeah...you learned the songs, you learned a lot of songs, but you would maybe go [00:07:27:15] for, you know, five...ten minutes, and each kid [00:07:31:18] in the class would perform it... perform one of their songs that [00:07:35:19] they'd been learning with their instructor. [ Interviewer ]: So..oh, so this was individual then to group [00:07:39:20] Sean: Yeah, it's just a group exercise, in the, you know, [00:07:43:21] in this room with...multiple people, and then you would, like, perform in front of them, so you had to have [00:07:47:22] a certain level of...you know, [00:07:51:24] performing ability. It put you on the spot, you were [00:07:55:24] ...it kind trained you to memorize [00:07:59:25] the piece in front of an audience, which is, you know, if you can do it in front of [00:08:03:28] an audience, you can usually do it... in front of...you know...or you [00:08:07:29] could just...you know it...It's there. It's not something that you just kind of [00:08:12:00] sight-read, but something that is engrained [00:08:16:01] ...Or you could be playing [00:08:20:02] you know, with...But, so... [00:08:24:04] since it's not like sight-reading because, you know, you can't really [00:08:28:05] ...I myself can't perform at my best if I just...look at [00:08:32:08] something and be like, sight-reading it for the first time. I have to practice it. [00:08:36:08] I have to figure out the...different [00:08:40:10] [ Interviewer ]: Aspects? Sean: Well, yeah, you have to figure [00:08:44:11] out when you have to get louder, or, you know, softer, or when...things [00:08:48:13] need to go slow or they need to speed up and build up and [00:08:52:14] cause...that's a big part of not just learning it [00:08:56:16] you know, learning the notes, but actually learning the music. [00:09:00:20] With guitar, you know, there's a lot of different change that you can make [00:09:04:21] just...from reading it off the sheet, but also to [00:09:08:22] make it...the song. [00:09:12:23] There's almost...a two dimensionality to the [00:09:16:24] sheet music, not just literally, but like, [00:09:20:26] figuratively, when you have to, you know, get the song translated from [00:09:24:29] robotic sense to...what it needs to be. [ Interviewer ]: Right. [00:09:29:01] So, you mentioned the guitar. I can see you have [00:09:33:03] a guitar, obviously. Could you maybe share a story about [00:09:37:04] the transition between... one instrument, whether it's piano, [00:09:41:05] to another guitar...or to another instrument, and then the guitar...or [00:09:45:08] just piano to guitar...what that was like? Sean: It was...yeah it was [00:09:49:08] from piano to guitar. I mean I... [00:09:53:10] started learning piano, but then also in middle school I'd done choir [00:09:57:11] so we kind of had to read sheet music while we were singing...vocal. [00:10:01:11] Simple music, as a group. [00:10:05:13] Kept me in a certain...a different genre [00:10:09:15] of instruments, of playing and singing, but [00:10:13:16] then we also... [00:10:17:20] did a lot of contemporary music, [00:10:21:21] along with classical, so...we tried to like [00:10:25:22] cover a lot of different genres as a choir, but...so that had some [00:10:29:23] power...over my interests [00:10:33:25] in...you know, what I like to listen to but...then I got [00:10:37:27] to guitar, and...it was just... [00:10:41:29] the first day in this class, this guitar class in high school, [00:10:46:00] I just like...didn't even know how to like, hold the guitar, cause I was just like [00:10:50:03] ...you know, it's kind of an instrument where you'd...lay it down and [00:10:54:05] you like, wouldn't really know how to like...and so I [00:10:58:07] played it like this, cause I'm left handed and I didn't, you know, ever know how to play [00:11:02:09] so...but... [ Interviewer ]: So do you play... [00:11:06:10] Sean:...it can only be played a certain way unless you have to like, restring it, but [00:11:10:11] anyway, so... [00:11:14:13] Jimi Hendrix...would do it that way... that's kind of funny, but anyway [00:11:18:14] [ Interviewer ]: How did transitioning [00:11:22:16] ...or how did having to switch... did that have any affect on [00:11:26:19] having to switch, like, sides? [00:11:30:21] Like than you would normally...naturally play? Sean: Let me...thinking about it...so yeah. [00:11:34:22] When I play...a piece [00:11:38:23] we...would always have [00:11:42:25] kind of like, you'd have a lot of... fast movement in the [00:11:46:29] right hand, and then in the left hand you would have kind of a bass ear. [00:11:51:00] to hear...tone, even with piano, because...you wanted to get the low tones and also the higher [00:11:55:01] tones to create the melody, and so then [00:11:59:02] you know, you'd have two things playing at once. And it was different because [00:12:03:04] like, with the left hand, you actually have all the movements, and then the right hand you have the picking. [00:12:07:05] With the picking, that's why I like finger picking [00:12:11:07] an acoustic guitar so much, just because you can [00:12:15:09] explore the...fast motion with the [00:12:19:10] hand, and then you also have like... I have a...guitar pick [00:12:23:12] somewhere...but anyway... [00:12:27:13] so we did a lot...we started off with...really basic [00:12:31:14] sheet music, in this class, getting back to... the class that I was taking... [00:12:35:16] and so when we used... do you want me to talk [00:12:39:17] about the class or do you want me to talk about... [00:12:43:19] how I learned guitar music? [ Interviewer ]: Whatever you want to [00:12:47:20] talk about, but yeah, more geared towards how you [00:12:51:21] like...what...I was trying to ask, sorry, to clarify, was [00:12:55:22] what was the transition like from learning piano [00:12:59:23] and building all of that up, all of that musical theory [00:13:03:24] and whatnot, and skill and practice, to learning [00:13:07:26] the guitar? What was that like? Sean: I mean...it helped. [00:13:11:28] I...don't really recall [00:13:15:29] well...let me think about this... [00:13:19:29] like from piano, there were definite [00:13:24:02] ...changes... [00:13:28:03] in how I had to think about music, but [00:13:32:04] ...let me think about this...it's hard to [00:13:36:05] ...put to words. [00:13:40:08] So, the note...the...keys [00:13:44:08] in piano are all learned separately because they're [00:13:48:09] are...the black keys versus the white keys, you know all the [00:13:52:10] sharps and flats in the notes, that would determine the key [00:13:56:11] that you were in, and you would start with a root note, and a key, and so you would [00:14:00:14] find all those to build a scale, and you had a [00:14:04:15] a bunch of scales in...your arsenal of music [00:14:08:17] and certain songs would have certain scales, A major, C major [00:14:12:19] G major, and then the minors, which were like B flat or [00:14:16:20] E minor and D minor. [00:14:20:21] But then they would kind of [00:14:24:22] set the mood of the song...and so you... you would learn that, but with [00:14:28:22] guitar, you would have different, certain notes that you'd play, [00:14:32:24] it was a little different in guitar cause that's for piano. [00:14:36:27] In guitar, you would learn certain scales based on what [00:14:41:00] where you were on the fret board... [00:14:45:01] and I...learned...major scale [00:14:49:02] is, you know, basic penatonic scales, it sets the [00:14:53:04] tone of the... [00:14:57:05] of the song itself. [00:15:01:07] so when you like... [ Guitar Music ] [00:15:05:10] [ Music Continued... ] Sean: ...you'd have that penatonic scale that would [00:15:09:11] if you...manipulated it in a certain [00:15:13:13] way, like you would have, like a blues [ Guitar Music ] [00:15:17:14] [ Music Continued ] [00:15:21:16] [ Music Continued ] Sean: And... [00:15:25:18] you would get that, you know, kind of blues tone, but then you also had like [00:15:29:19] power chords, that kind of... you set a progression [00:15:33:20] of chords together and that's... that would be how you would play [00:15:37:21] the song and how you would hit the certain notes. [ Guitar Music ] [00:15:41:22] [ Music Continued ] [ Interviewer ]: So, in...piano, are there any things like... [00:15:45:24] grouped and...I mean I don't play piano. Sean: Oh, and so like... [00:15:49:25] the certain groups of notes on the...sorry, to explain more...the certain, to come back [00:15:53:27] it, the certain groups of chords that you would create [00:15:57:28] the certain notes that you would hit... based on like, how you're [00:16:02:01] farther up on the fret board and stuff would... and also the finger position [00:16:06:02] it was more about finger position, then you would... [ Music ] [00:16:10:04] ...create this...you would create this [00:16:14:06] ...these notes, like... [00:16:18:10] ...let me think. [ Interviewer ]: Like piano? Sean: Yeah, like piano... and piano [00:16:22:24] would be split up in similar ways to, like, if you're picking versus if you're reading [00:16:26:25] individual notes. You'd create this you know...foot, you would create for [00:16:30:26] chords, and you would create...octaves and [00:16:34:26] that would make, you know, you could get an octave in there and hit the same [00:16:38:26] key on both the octaves so that they'd have the same tone, different pitches [00:16:42:26] and that would help build the song. [00:16:46:27] [ Interviewer ]: So, is it more about, like, the way you play [00:16:50:27] or...the way you have to warm your hands up that kind of is similar [00:16:54:27] between...or, like, having to pick up the guitar after the piano that was something that [00:16:58:27] helped? Like, having the skill building from piano? [00:17:02:28] Sean: ... [00:17:06:28] Let's see...repeat that a little bit. [00:17:10:28] [ Interviewer ]: The skill building from, like, technically [00:17:14:29] ...physically, with your hands...you sort of just [00:17:18:29] were talking about picking versus... playing the piano, like [00:17:22:29] hitting it, so you're sort of talking about the physicality of it, [00:17:26:29] is that what you're trying to say? That helped? [00:17:31:00] Sean: Yeah...I mean, it helped in like, you know, [00:17:35:00] getting the hand position. I mean this is only with one hand where as in [00:17:39:01] the piano you could get both hands going to different notes, you know, you can only have [00:17:43:01] one set of notes in this, where as piano you have two, but [00:17:47:01] ...is that what you're trying to say? [00:17:51:01] [ Interviewer ]: Yeah... Sean: It...I mean it..learning [00:17:55:02] sheet music ...kind of got me to [00:17:59:02] learn rhythm, and it was a way of... mainly just finding my rhythm [00:18:03:02] and sheet music that also got me to translate [00:18:07:02] it to where I...when I had the guitar. [00:18:11:03] Well, anyway. [00:18:15:03] [ Interviewer ]: Okay, well do you have any finishing comments? Sean: Do you have any other questions? [00:18:19:03] [ Interviewer ]: No, I think we got a good narrative. Sean: Really? [00:18:23:03] [ Interviewer ]: Yep, thank you! Sean: Okay, sounds good. Thanks for watching. [00:18:27:03]